Re-examining the Cold War era, scholars now integrate Global South and smaller European communist states’ perspectives, challenging the conventional Soviet-U.S. power narrative. However, the pivotal role of cultural diplomacy is often overshadowed by military and economic agendas, despite its significant contribution to fostering anti-imperialist networks. Drawing on archival research, quantitative analysis, and oral interviews, I aim to illuminate Czechoslovakia’s impact on global culture between 1968 and 1989 with the focus on the Prague Academy of Fine Arts’ admission of foreign students. I will show how their education fostered bonds with Czechoslovakia, influencing the growth of state socialism’s network and challenging Western cultural hegemony. Furthermore, I demonstrate their transformative impact on Czechoslovakian culture and their home countries, bridging Czechoslovakia with states in the Global South, the Eastern Bloc, and in the West. Finally, I highlight the lasting legacy of international solidarity fostered by these students, emphasizing cultural exchange’s universal transformative power. In sum, I advocate for art history’s inclusion in understanding the complexities of the Cold War, highlighting the interactions of smaller European states amidst a shifting global order.
Anna-Marie Kroupová is a PhD Candidate in Cultural Heritage Studies at the University of Vienna and a Research Associate at the Belvedere, Vienna. Her PhD project, supervised by Prof. Noémie Étienne, examines the artistic activities of foreign art students and artists in Czechoslovakia during the Cold War between 1968 and 1989. She received her MA from the University of Vienna in 2021 and won the Sir Ernst Gombrich Talent Award for the best MA thesis, which examined the relationship between Czech modernist art and the nation-building processes around 1900. She is also co-founder and managing editor of the peer-reviewed Belvedere Research Journal.